![]() This should be included, briefly, in your CV. Jokes can be misinterpreted in writing so keep your tone as level as possible without sounding like a robot. Don’t make jokes, use emoticons or other gimmicks.It’s taken for granted in TV that you’re willing to work long hours and are passionate about television. Deviations from simple instructions help recruiters eliminate people from the mountain of applicants.If they ask for two writing examples and you send four, they won’t think you are overqualified, they’ll think you can’t follow instructions.If they set a word limit and you go over it, they’ll think you can’t edit yourself.Follow the application instructions to a T.if they ask for editing skills, mention that a film you edited won an award Remember that list of job requirements you wrote? Go through it and tick it off. ![]() Copied and pasted templates come across as tired and often don’t address the specifics of the job. “From my newsroom experience as a reporter for Newbury Weekly News, to my research credits as an intern with The One Show, I’ve picked up the tools I need to excel as a development researcher with Campaign Productions.” Briefly describe how they will help you excel in the job you’re applying for.Pinpoint two or three of your best achievements (Any outstanding credits, awards, languages etc.).Explain how hiring you will benefit them.“ I loved your recent programme on trainspotting, particularly….” Don’t simply say “I love Campaign Productions”, go into detail.Show them that you watch their programmes/ read their websites.Mention your availability, especially if you’re able to start immediately.State clearly which job role you’re going for (the person reading it may be hiring for various roles so make their life easier).Introduce yourself and your current job title. ![]() GOOD: “I'm excited to be writing to you to apply for the researcher position at Campaign Productions.” If in doubt, keep things formal. That said, conversational is much better than overly formal and stilted.īAD: “With this application, I declare my interest in the position you have advertised on your website” Some prefer formal applications some encourage “creative” writing. The tone of your cover letter may vary depending on the company you’re applying to. What purpose does it serve? It can’t be emphasised enough that people in the media are busy and they will not read essays about how “passionate” you are and how that summer abroad really developed your people skills. Make each word fight to remain on the page. If not then keep a general rule is the shorter the better. If your cover letter takes more than 20 second to scan/ read then shorten it. Work closely and collaboratively with colleagues to jointly meet company-wide goals.Īttend meetings and events as requested, including evenings and weekends.If the application instructions specify a word limit then stick to it. Professional judgement for handling confidential informationĬollaborate with Production Managers to meet the needs of cast and crew ![]() Responsible for production wrap binder in conjunction with Production ManagersĪrrange meetings and travel, manage calendars, take notes in meeting when present ![]() Also assist in managing Co-Pro production and post schedules.Īssist Producer in shepherding project through every stage: development, pre-production, production, post, delivery, air, and archiving. Help Producer track Co-Pro budgets and expenses.Īssist Producer in creative collaboration with Co-Pro team members (includes collaboratively creating treatments, scripts, paper edits, etc.). Tracking and processing licenses for sourced material (footage, archival photos and video, music, etc.).Ĭontinuously monitor the status of their show/project(s) using Production Department collaborative tools: Google calendars, Google drive (Google docs and sheets), the Producer Checklist, etc.Īssist in communication with Co-Production Companies which includes: Post production as necessary (includes logging footage, transcribing, creating graphic files, editing, media management, etc.). Responsible for all releases (personal, material and location) pertaining to production. Organizing off-site productions in conjunction with Production Management. Knowledge of film permitting and coordination for on-location production. Manage the coordination of production tasks on their assigned show/project(s) as directed by the Producer, including:įield production as necessary (includes running audio, assisting camera and/or grip, script supervising, etc.). Facilitate communication between core team members on their assigned show/project(s)-particularly the Producer, Associate Producer, Production Manager and Production Assistants. ![]()
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