![]() ![]() You can now use the VFX-1 to control DJ-FX in Scratch Live. Please watch the video release notes here.įull List of Changes Vestax VFX-1 support for Scratch Live * Performance and stability improvements. That’s the best system in my opinion if you want that old school feel but of course to each their own.* DJ-FX usability improvements for Rane TTM 57SL users Phase with turntables is pretty much advanced to the HID mode you don’t even need RCA cables for that anymore. And if you an S11 or more recent mixer with a hub you only need 1 usb to the computer. First time you setup is going to be the hardest but from their on out it just works. Like you said from the 900s and newer HID is pretty plug and play if you have the DVS software and a mixer that unlocks the functionality. You get the big jogs and don’t have to fumble about to much to get going. Using them in HID mode with serato is pretty straightforward. Cdjs are really great for just showing up sticking in a usb and working of you pack them with your great crates and just rock out. Some with moving platters like the Rev7 and Rane One do a great job of emulating turntable feel. Controllers are useful when you are a mobile Dj and just want to set up and have it work the same way everytime with ease. I started on controllers and laptops then went to turntables and DVS / vinyl and recently acquired cdjs to be able to use everything.Ĭompletely agree with you about the tactile feel of a moving platter. As a DJ, you only need to carry USB sticks and headphones. They are virtually unaffected by vibrations, and very easy to set up. So in the end, CDJs solved both of these issues. ![]() With so many components needed for the solution to work, forgetting just one cable can mean you need to cancel the gig. Carrying all that equipment and making sure you don't forget anything is a burden. A lot of stuff can go wrong in this process. The setup is complicated and it's a hassle switching between DJs. You need to bring a computer and equipment, which can be stolen. The second is that it's quite inconvenient. It's a risk for DJs to rely on turntables, as you need to trust the promoter to handle them correctly. Getting this all under control is complicated and requires a lot of intent, knowledge and planning from the people responsible for the event. On top of that, there may be vibrations from people dancing. The louder the sound, the more vibrations. They are sensitive to vibrations, and sound is vibrations. The first is that it's quite hard to ensure that turntables operate well in a club/festival/party environment. Timecode hasn't died, but it certainly has become less common to see people using it for gigs.
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